Let me chime in.....
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Again, my mantra: "What tier, what era, what year..and in this case, "what mix". As is true with all things, a fly tied one year might vary a bit in shade form examples tied 40 yerars later--or 70 years later.
Late 1930's: Here's an actual Conover body section, from a Dette tied fly, late 1930's. Sunshine-exposed flies, of course, can fade colors a bit.
Photo Below
1972
This Conover was dropped into my hands by Winnie, at her tying bench,
in June 1972. Notice the shades of that era--or at least that time of year--week--or day.
And here are some of my own observations with the mix:
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Batch mix: When I mix my own batch, which has a bit of cream, sometimes a bit of seal, a bit of claret and muskrat, it varies batch to batch; I have to tweak it as I do my mixing. and adjust. The muskrat I used 5 years ago--or thirty-five years ago--might vary in shade a bit, lighter or darker.
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The dubbing mix pinch-off: Sometimes, if tying a small fly, I'll pinch off a bit of the dubbing mix that doesn't represent what I had in mind, shade wise. The small, random piece of dubbing pinched from a big batch might have too much claret-red in it, to my liking. Even if well-mixed (using my own antique methods) it's not entirely homogenous; you can come across a big piece of claret in your small dubbing pinch. Not always, but it happens enough.
I don't care who the tier is...their fly shades vary a bit over time. For example, I shot Flick-tied Quill Gordons yesterday--from different eras. Much different shades really.
-MV
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